A new album release from Baz Ravish comes through with a combination of animated vocals and theatrical undertones along with a garage rock edginess and a sort of rambunctious approach that all come together to create something that becomes quickly addictive.
The Severed Heads album is packed to the brim with inventive guitar riffs and a dirty fuzz tone sound that packs quite a punch and throughout the unfolding of the record you get a lot of this sort of character that comes through and this ends up being a big part of the soundscape of the release.
There is a lot of vivaciousness to this rock soiree of sorts and there are points where it feels like songs are being performed live right in front of you just because of how big everything sounds.
The vocals especially are just so robust a lot of the times that plenty of the record ends up hitting really hard, but it also has color and character to it so the combination of the edginess and the color breed something pretty special.
There are no two songs that are alike on this record, so I strongly suggest listening to the entire album from beginning to end because if you do check out one or two songs, you're not getting anywhere near the full spectrum of what the album has to offer as a whole.
This is the kind of record you definitely want to soak in everything you can because once someone will give you a vaster kind of undertone that feels slightly cinematic and still breeds that edginess and its underbelly, but other tracks just come right out with a blistering and sharp fuzz tone sound that hits right off the bat.
Some of these tracks just have a righteous energy to them and I think that's part of why this record came through so infectiously.
My favorite track on this record is the last track on it. It is the title track of the release and it's a little over 10 minutes in length, but it is this massive opus of a rock banger, and it feels like it was influenced a lot by a sort of Southern-touched classic rock although it does burst into these big grunge and alternative rock overtones.
This album has such a unique sonic drive to it that is somewhat ever-changing so by the time you get halfway through the record you begin to expect the unexpected which to me, is actually quite refreshing.
There are a lot of parts about this release that stick with you for hours after the songs have ended and the only way to satiate that is to go and listen to them again which I loved, and I was just a little blown away by the array of influences that are incorporated into this release.
Throughout this thing, you hear everything from heavy and vast sort of doom rock, garage rock, indie rock, alternative rock, and more and it's all rolled into one fat record that gives you everything you could look for.
I would listen to this record nice and loud and again, I urge you to listen to the entire thing as opposed to just one of the tracks this way you soak in everything it has to offer because it's pretty experimental, a little bit psychedelic, has plenty of edginess and heavy sections, and the arrangements are totally unique.
Do not be afraid to turn this one up.
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