A New Record from Blanker

Following the breakup of New York City rock trio Upstate Escape, guitarist and vocalist John Norwood started Blanker as a solo project without any particular expectations about where the music would go. What began as a way to continue writing and recording independently has since developed into a more collaborative effort, with former Upstate Escape drummer Bryan Schwenk becoming a regular contributor. Blanker has released eight albums since 2017, the latest being The Picture Isn't Crooked, The Floor Is, a six-song collection that draws from indie and alternative rock while incorporating satire, humor, and occasional departures from conventional songwriting.

Norwood's DIY approach leaves plenty of room for experimentation, and his willingness to move between styles is one of the project's more appealing qualities. He handles the songwriting, programming, and production, with Schwenk contributing live drums. There's an irreverent streak running through the material, particularly in the lyrics, which frequently examine human behavior with a healthy dose of sarcasm. Still, the music is remarkably accessible, with memorable hooks and arrangements that rarely take themselves too seriously.

“I Know A Lot” opens the EP with an excellent groove and an immediately engaging vocal performance. I particularly enjoyed the way the song develops, gradually increasing in intensity while incorporating background vocals that complement the central hook. “Geezer Groove” is similarly effective, introducing a slightly funky rhythm and another strong vocal performance. There's a playful quality to the arrangement that works particularly well with Norwood's delivery, making it one of the record's more entertaining moments.

“Heaven Is In DC” begins with guitar, vocals, and a steady kick drum before gradually expanding into a fuller arrangement. Once again, the vocals are a highlight, particularly when the infectious hook takes over. “Blinded By The Sunset” is arguably the EP's most intense offering, driven by a powerful rock groove that builds toward some impressive peaks. The contrast between its heavier sections and melodic elements gives the song considerable momentum.

“Narcs” strips things back, providing a welcome change of pace after the preceding track's intensity. The closer, “You'll Never Win A Grammy,” returns to the EP's rhythmic strengths, with a syncopated bass line that gives the arrangement an infectious pulse. It's another example of Norwood's ability to make relatively straightforward musical ideas feel lively and engaging.

I thought The Picture Isn't Crooked, The Floor Is was excellent from beginning to end. Every song has something distinctive to offer, whether it's an infectious groove, an unexpected arrangement, or a particularly memorable vocal melody. Despite the stylistic differences, the songs fit together naturally, giving the EP a sense of cohesion without sacrificing variety. Norwood has a knack for writing memorable hooks, and the combination of humor, personality, and energetic performances makes this an easy EP to recommend.